Blog
Updated Monday to Friday
526 articles
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Unique Aruki panel -
Fine tuning The Divider panel -
Midway Hexagon box Check -
Drawer box Materials and Advantages -
Drawer design Update -
Joining Ichimatsu Yosegi Blocks -
Angle of The Panel Joints -
Order of Attaching the Six panels -
Difficult parts of Making the Aruki -
Hexagonal Frame panel -
Three-color Ichimatsu pattern -
Difficult parts of Making a Hexagonal box -
Yosegi Panel for a Hexagonal Box -
18-step Challenge -
Contrast of Two Woods -
Aruki Panels for the Double Box -
Four-Compartment Box -
Direction of the Axis Panel -
Box with Nowhere to Hide -
Symmetrical Box -
Another finish -
Placing Weights on Wood -
Choosing Material Length -
Gluing sheets on a rainy day -
Adjusting the panels of Mame boxes -
Combining different types of wood -
Hand sanding and machine sanding -
The difference in color tones -
Balancing Two Factors -
Solid Yosegi Accent -
Fine Tuning the Aruki Panels -
Why quick assembly matters -
Nostalgic double puzzle box -
Small experiment with two thin panels -
Different sheets and their gluing methods -
Fast and careful work with small parts -
Pros and cons of MDF boards -
Adjusting the grooves and aruki panels -
Advantages of ho wood mame box -
The orientation of the side panels -
Preparation of the top and bottom aruki panels -
Pattern misalignment and wood quality -
Comparing two engineered materials -
Choosing the right wood for small parts -
Sanding the yosegi sheets -
Notes on one-point yosegi -
Shina plywood: Advantages and care -
The slide key and the wooden piece -
Attaching small, thin panels -
The question of patterns on mame boxes -
The proper amount of the angled cut -
The top and bottom surfaces of the mame box -
The extra care of mame box -
Calculating the materials -
The thin boards for the mame box -
Working slowly in the rain -
The Art of correcting mistakes -
Making random wood grain panels -
Adjusting the top and bottom panels -
The balance of random wood grain