Design ideas for the Top panel
It’s been cloudy since this morning, and just now (around 3 p.m.) it started raining. I’m glad I finished attaching the other side of the 3-sun cube panels earlier today. It looks like it’ll rain quite a bit tonight, so I’m not sure when I’ll be able to do the finishing work on the 3-sun cubes, but since the assembly is done and they’re stored safely in their cases, I don’t have to worry.
As planned, I started working on the 18-step version of the 3-sun cube today. Yesterday, I had already prepared the outer panels and prepped the structural side panels. This morning, I finished preparing all the materials and made the shafts and side panels. In the afternoon, I began assembling them, and if possible, I’d like to move on to installing the internal parts later today.
Since this is an 18-step mechanism, most of the parts are the same as those used in the 14-step version. However, there’s one unique component that increases the number of steps. As I mentioned before, the 18-step box is the only one among my designs where the sliding key (kannuki) has a “Kaeshi (return)” motion — it moves back and forth to both sides. The small piece that makes this “Kaeshi” action possible (about 6x3 mm) is a part made exclusively for the 18-step mechanism.
Since I used many of the parts during the 14-step production, I’m using the same components this time as well. So while working on the 18-step box, I also took some time to restock (remake) those parts as I went along.
I’m currently making these boxes (ichimatsu design) for an overseas shop, and at the same time, I’m also creating a version that uses solid wood. I’ve already decided on the design for the side panels — a combination of walnut and Agathis. however I haven’t decided yet what kind of design to use for the top and bottom panels 😅 I’m still deciding whether to use natural wood or the random wood grain design I’ve been making recently. When working with a more complex pattern, it takes quite a lot of time to apply it to both the top and bottom panels, so I’ll probably use the design only on the top panel.
At the moment, I’m thinking of using only a slightly more elaborate and detailed design for the top panel, rather than the simpler top and bottom panel designs that are easier to make. I’ll probably come up with a good design over the weekend 🤔
Today marks the end of October, which means there are only two months left in the year. In Japan, the end of the year is clearly defined as December 31st — more so than in many other countries. The year completely ends on December 31st, and a new one begins on January 1st, with many traditions following this cycle.
Because of that, people here tend to be more aware of these last two months. I also receive some orders that need to be completed before the end of the year. In tourist areas, the New Year’s season brings many visitors, so shops prepare products for that busy time. Because many businesses usually close for the holidays.
Well then, have a great weekend!
As planned, I started working on the 18-step version of the 3-sun cube today. Yesterday, I had already prepared the outer panels and prepped the structural side panels. This morning, I finished preparing all the materials and made the shafts and side panels. In the afternoon, I began assembling them, and if possible, I’d like to move on to installing the internal parts later today.
Since this is an 18-step mechanism, most of the parts are the same as those used in the 14-step version. However, there’s one unique component that increases the number of steps. As I mentioned before, the 18-step box is the only one among my designs where the sliding key (kannuki) has a “Kaeshi (return)” motion — it moves back and forth to both sides. The small piece that makes this “Kaeshi” action possible (about 6x3 mm) is a part made exclusively for the 18-step mechanism.
Since I used many of the parts during the 14-step production, I’m using the same components this time as well. So while working on the 18-step box, I also took some time to restock (remake) those parts as I went along.
I’m currently making these boxes (ichimatsu design) for an overseas shop, and at the same time, I’m also creating a version that uses solid wood. I’ve already decided on the design for the side panels — a combination of walnut and Agathis. however I haven’t decided yet what kind of design to use for the top and bottom panels 😅 I’m still deciding whether to use natural wood or the random wood grain design I’ve been making recently. When working with a more complex pattern, it takes quite a lot of time to apply it to both the top and bottom panels, so I’ll probably use the design only on the top panel.
At the moment, I’m thinking of using only a slightly more elaborate and detailed design for the top panel, rather than the simpler top and bottom panel designs that are easier to make. I’ll probably come up with a good design over the weekend 🤔
Today marks the end of October, which means there are only two months left in the year. In Japan, the end of the year is clearly defined as December 31st — more so than in many other countries. The year completely ends on December 31st, and a new one begins on January 1st, with many traditions following this cycle.
Because of that, people here tend to be more aware of these last two months. I also receive some orders that need to be completed before the end of the year. In tourist areas, the New Year’s season brings many visitors, so shops prepare products for that busy time. Because many businesses usually close for the holidays.
Well then, have a great weekend!